If you've got any questions you want answered, drop them via twitter. Skinner & Ted will be taking over MistaJam's 1Xtra show on Thursday so you'll be able to hear it in full, for the first time, then. Had an enjoyable business lunch with Mr Mike Skinner aka The Streets, Mr Ted Mayhem, Tyrone and Giggs today, to talk about 'Slow Songs'.
We wish you a swift and full recovery famazonia. I can't say some of what I want to say for legal reasons but watch this space.Īnd on that note, it feels apt to re-up the forthcoming single from Professor Green. Secondly, to all those people who stood by and did NOTHING but take pictures or film the incident - a man lying bleeding on the floor, thinking he's losing his life - I hope you can sleep well. The please have arrested someone in connection with the incident but I've got a few things to get off my chest.įirstly, why do Cargo still use glasses? Sure it's a sorry state of affairs that we have to even consider these things and that it's got to this in society, but it's not the first time there's been a glass fight in the club.
Rinse was also injured but it'll take more than a broken nose to hold him down. He's currently awaiting surgery and he's so bloody lucky that it's not a whole lot worse (ironically he has a 'LUCKY' tattoo on his neck too).
Anyway, back to the point, Pro Green is going to be ok. We also donated a sharp Boxfresh T-shirt and over sized Chiefs one for good humour. Collins and I armed ourselves with bare goodies - XXL Mag, Grazia (so he could catch up on the girl stuff), The Week (for the best in the worlds media), Nuts (boobs always aid recovery), anti bacterial hand stuff (to fend off swine flu and MRSA), lucozade (for when he's no longer nil by mouth), 12 red roses (which got confiscated so we gave them to the nurses who do a great job) and Vaseline (for those dry lip moments).ĭespite his condition, we did manage to catch joke over the socks: Alas, he wasn't, as the picture he then sent proved. When I got a message on my phone this morning from Professor Green saying he'd been stabbed in the neck with a bottle, I actually thought he was joking, given our earlier convo at Dirty Canvas. Sadly, we didn't realise how right we were. so you decide something's likely to kick off and you cut out. Too many man, too hot, too much alcohol going down. A subscription model might, but we won’t be at the front of the queue in subscription models for a while,” he said.You know those nights: you turn up at the club and the vibe just doesn't feel right. “I think right now, the ad model enough for that kind of bid. “I think there’s huge opportunities for sports,” the Google boss said, but added that a play for English Premier League rights won’t happen in the upcoming rights auction. – Brittin is himself a former Olympic oarsman – and has taken premium cricket rights in India. because we have an amazing creative industry and the world knows that.”ĭigital and tech giants are also increasingly moving for live sports rights. Brittin said: “We’re commissioning long-form content for our paid service, and we want to commission as much of that as possible, frankly, from people in the U.K. YouTube recently ordered sci-fi original “Origin” from Left Bank, the British production company behind “The Crown,” and the signs are good for other U.K.-based content companies. “The audience is watching 80% of content outside of the country it was created in, so there’s a huge export audience,” he said. business could be “incredibly inward-looking” but had a tremendous opportunity to create international content. “We’re in five markets and we’d like to launch in more, but it takes a bunch of time to get there, and we’d like to commission more content,” said Matt Brittin, Google’s president, business operations, EMEA.īrittin issued a rallying call to British producers at a Royal Television Society event in London last week. The YouTube Red SVOD service has launched in the U.S., Mexico and a handful of other territories, but has yet to hit the U.K. YouTube, Twitter and other digital platforms are increasingly originating content for ad-supported and subscription services.
With YouTube Originals, we’re enabling them, as well as traditional writers and producers, to bring new, ambitious series to EMEA viewers with additional opportunities for advertisers to reach engaged audiences.” He added: “YouTube is a fantastic platform for creators to earn a living from their videos.